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International Foundation for Art Research : ウィキペディア英語版 | International Foundation for Art Research International Foundation for Art Research (IFAR) is a non-profit organization which was established to channel and coordinate scholarly and technical information about works of art. IFAR provides an administrative and legal framework within which experts can express their objective opinions. This data is made available to individuals, associations and government agencies. * IFAR functions as a step towards more regularized attribution protocols in which the question is not the importance of the attribution but the correctness of it.〔Glueck, Grace. ( "Art Group Is Set Up To Judge Attribution," ) ''New York Times.'' May 8, 1970.〕 * IFAR is actively involved in the legal, ethical, and educational issues surrounding the ownership and theft of art.〔IFAR: ( About IFAR, Art Theft Database )〕 ==History== IFAR was initially conceived in New York in 1969; its first president was Houston industrialist John de Ménil.〔 Founding members of the privately funded foundation were:〔 * Harry Bober, New York University, Institute of Fine Arts * Jose Lopez-Rey, NYU Institute of Fine Arts * Lewis Goldenberg, Wildenstein & Co, New York * Peregrine Pollen, Park-Bernet Galleries, New York * John Rewald, University of Chicago * Joseph Rothman, New York Attorney General, art frauds The first Advisory council members were:〔 * Diego Angulo Íñiguez, Prado Museum, Madrid * Francois Daulte, Bibliotheque des Arts, Lausanne * Charles Durand-Ruel, Durand-Ruel Galleries, Paris * Lloyd Goodrich, Whitney Museum, New York * Daniel-Henry Kahnweiler, Galerie Louise Leiris, Paris * Lawrence Majiewski, Conservation Center, NYU Institute of Fine Arts In 1989, IFAR had become "a very grand-sounding name for what is really just three smart, dedicated, underpaid women who are among the nation's leading experts on stolen and forged art." Constance Lowenthal, Margaret I. O'Brien and Virgilia H. Pancost work in an Upper East Side office which contains 30,000 files documenting stolen art cases. The three-rooms were on the fourth floor of the Explorers Club, on East 70th Street.〔Winerip, Michael. ( "The Ultimate Marketplace; Hot on the Trail of Missing Masterpieces," ) ''New York Times.'' November 12, 1989.〕
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